Theme
9:37pm August 20, 2014

eastberlin:

rawr0609:

garfeildlogan:

this thing w ferguson is making me wonder how many of the historical riots that happened in the 20th century they teach you about in school were actually ‘riots’ ??

I’m scared that in 40 years, I’m gonna have to tell my child what really happened because their textbooks will be full of lies

9:36pm August 20, 2014

“A good writer with a sad idea and a malicious side is a person to fear.”

— Me. Cause it’s true. (via godiscobalt)
9:35pm August 20, 2014

thegloomypuppetshow:

servaris-condonaris-amaris:

they’re coming

in the distance you hear them 

the Whovians have returned

image

9:34pm August 20, 2014

HARRY POTTER ALPHABET → s
↳ slytherin

"Or perhaps in Slytherin, You’ll make your real friends, Those cunning folk use any means, To achieve their ends."

9:32pm August 20, 2014

stylinson-ofabitch:

givedeanwinchesterhispie:

tabiisprecious:

onthesideoftheotters:

joshsux:

nicki in the background 

oHMYGOD taylor’s like “i feel you bro you call them out on their shit” and nicki’s like “gurl he means you”

does anyone else see the guy way back there. that guy that suddenly appears and points at taylor

it gets funnier each time it appears on my dash

PLUS THE FACT THAT THE CAMERA WENT TO TAYLOR OTHER THAN ANY OTHER CELEBRITY

9:22pm August 20, 2014

peetaspenis:

there are just some things you can’t accept your favorite character doing in fanfics 

9:22pm August 20, 2014

relahvant:

when someone eats the food you were saving in the fridge

image

9:10pm August 20, 2014

laylainalaska:

fuckyeahsources:

Nope. But the real story is better. Bolding mine:

The late Ruth Thompson, a cell painter on “Snow White” who later became a multiplane scene planner, recalled: “We tried everything - airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.

The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed.

Again Ms. Thompson: “Someone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.”

Ever since the mid 30’s when color became the norm for all the cartoons, not just the “Silly Symphonies,” all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald’s special blue color was made with a dye added to the usual powdered pigments. “So we tried that.” As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.

Among the studio’s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most “holy of holies” area of the Nunnery, as the Ink and Paint Department was so called (Walt had strict and quite Victorian views that the sexes not mingle at the workplace, allowing no male personnel save the “gofer” boy and the paymaster “Mr.” Keener to enter this domain of mostly unmarried women ). But Helen was in addition a very fine cartoonist and one of the few women at Disney’s or anywhere else, who could animate.

Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention (she, as well as the other inkers and painters, was given no screen credit). But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from “Snow White,” most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen.

The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.

Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the ‘registration’ right (the spot of red just right in relation to the preceding and following ones) - all of this without any guide. She would work out her own extremes and then ‘animate’ the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime “Snow White” would require - all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward.

She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her. She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both “Pinocchio” and “Fantasia”). None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.

Also, here’s an interesting article about female cel painters at Disney. I am now fascinated by the idea of writing something with a Depression-era cel painter as a protagonist.

8:34pm August 20, 2014

the-goddamazon:

fuckyeahbiguys:

"I’m sick of how bisexuality is erased in LGBT spaces. I get really nervous before any LGBT event, especially Pride. I feel incredibly sad and hopeless when gay and lesbian people call me insulting names. If gay and lesbian people don’t understand me – Continue reading Prejudice at Pride at Empathize This

This just punched me in the heart.

8:31pm August 20, 2014
8:30pm August 20, 2014
wildbelles:

OHMYGOD

wildbelles:

OHMYGOD

8:28pm August 20, 2014
psychedelicatessenn:

stunningpicture:

I don’t know shit about photography, but the person who took this shot must be given the highest award of them all.

this is breathtaking

psychedelicatessenn:

stunningpicture:

I don’t know shit about photography, but the person who took this shot must be given the highest award of them all.

this is breathtaking

8:28pm August 20, 2014

horsesaround:

-

8:27pm August 20, 2014

nightskeptic:

giddytf2:

image

Always reblog big kitties with their leetle kitties.

My mom owned three cats who all gave birth within two weeks of each other. 

One of them really loved having babies around and when the other moms had left their kittens sleeping, she would saunter over, grab one at a time to incorporate them into her litter of kittens.

In 48 hours, the fluffy one had taken two additional litters. The other two cats, now could no longer tell one smell from another smell. All three mom cats basically took control of one MASSIVE mega-litter of kittens.

The last gif reminds me of this…except the kittens my mom’s cat took looked nothing like her.

8:26pm August 20, 2014

pardonmyfeels:

summer